{"id":150851,"date":"2025-01-17T10:27:35","date_gmt":"2025-01-17T15:27:35","guid":{"rendered":"https:\/\/telefilm.ca\/?post_type=appel-inscription&#038;p=150851"},"modified":"2025-01-29T11:59:14","modified_gmt":"2025-01-29T16:59:14","slug":"festival-de-cannes-2025","status":"publish","type":"appel-inscription","link":"https:\/\/telefilm.ca\/en\/appel-inscription\/festival-de-cannes-2025","title":{"rendered":"Festival de Cannes 2025"},"content":{"rendered":"<div class=\"editor-content\">\n<h2 class=\"wp-block-heading\"><strong>CALL FOR ENTRIES&nbsp;| Canadian Preselection Screenings<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><em>(Feature-length narratives)&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Telefilm Canada <\/strong>is currently accepting entries of Canadian features for<strong> <\/strong>the <strong>Cannes Film Festival <\/strong>(May 13 to 24, 2025)<strong>, &#8220;L\u2019Officiel&#8221;, <\/strong>as well as the one of its parallel sections,<strong> <\/strong>the <strong>Critics\u2019 Week <\/strong>(reserved to debut and 2<sup>nd<\/sup> features).\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Every year, Telefilm Canada invites members of the selection committees from the Cannes Film Festival, as well as its parallel sections, to screen the submitted Canadian features on a big screen in a private theater in Montreal. In 2025, the screening sessions will be carried from March 3 to 6.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Directors\u2019 Fortnight<\/strong> will not travel to Canada to screen films due to the preference of new management, therefore, for this section, you will have to submit directly on their platform and pay the related entry fee.\u202f&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Critics\u2019 Week <\/strong>section will not travel to Canada. Registering your film with Telefilm will give eligible films a promotional code applicable on submission fees when <strong>applying directly on the Critics\u2019 Week platform<\/strong>. Once registered with us, we will send you a code.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>DETAILS<\/strong>&nbsp;<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Competitive:<\/strong> Yes&nbsp;<\/li>\n\n\n\n<li><strong>Documentaries and short films <\/strong>must be submitted directly to the Cannes Festival and its parallel section, the Directors\u2019 Fortnight and the Critics\u2019 Week and submissions fees must be paid.\n<ul class=\"wp-block-list\">\n<li>This screening and submission process is open for\u202f<strong>narrative features<\/strong> only. Cannes rarely programs documentaries and for this reason will prioritize features films while in Montreal.&nbsp;<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Submission fees:<\/strong>&nbsp;\n<ul class=\"wp-block-list\">\n<li>Films submitted via Telefilm Canada to <strong>Cannes Film Festival, &#8220;L\u2019Officiel&#8221;<\/strong> and screened in Montreal will be exempted from the festival submission fees.<\/li>\n\n\n\n<li>Eligible feature films submitted to <strong>Critics\u2019 Week <\/strong>will receive a promotional code that may be applicable on submission fees.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>* Due to the increased number of entries over the last years, and the high volume, we can not guarantee that all films will be screened while the programmer is in Montreal<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The programmer will choose the titles to view and will watch the maximum that can be screened in 4 days. If your film is not evaluated and screened in Montreal, you will ne notified in March, and you will have to submit it directly on the festival platform and pay the related entry fee, by early April.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>ELIGIBILITY CRITERIA<\/strong>&nbsp;<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eligibility criteria for all sections:&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>To be considered eligible, a film:<\/strong>&nbsp;\n<ul class=\"wp-block-list\">\n<li>Must be over 60 minutes;<\/li>\n\n\n\n<li>Have been completed within the 12 months prior to the festival;<\/li>\n\n\n\n<li>Only features with a World premiere status are eligible.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Specific to the Critics&#8217; Week, a film<\/strong>:&nbsp;\n<ul class=\"wp-block-list\">\n<li>Must be the director\u2019s first* or second feature film.&nbsp;<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>*By &#8220;first feature film\u201d the festival means that it must be a first cinematic film (fiction, documentary, or animation) from a director who\u202fhas never directed a film longer than 59 minutes, that was theatrically released or selected in an international Class A festival.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-buttons is-style-default act-button act-button--full-width is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-with-icon\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/telefilmbpm.appiancloud.com\/suite\/sites\/client\/page\/calls\/record\/lMBaiJ45Q3Cj0vo-S0MQD9tsQCCaT5lSZrGMryQvagN8IqfOS4Q6V8_YIjszNpF2_ciphFd5D8-EEQp-GRUEzyexIbCY-srhO6sk_ir2y5leniF7g\/view\/summary\" target=\"_blank\" rel=\"noreferrer noopener\">         <strong>CLICK HERE TO SUBMIT<\/strong><i aria-label=\"Bouton primaire pleine largeur avec ic\u00f4ne\" class=\"icon far fa-external-link-alt\" aria-hidden=\"true\"> <\/i>     <\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">*<em>Please note that the submission link is also the link to submit to the&nbsp;<strong><a href=\"https:\/\/telefilm.ca\/en\/appel-inscription\/78th-locarno-international-film-festival-canadian-preselection-screenings\" target=\"_blank\" rel=\"noreferrer noopener\">Locarno Film Festival Preselections<\/a><\/strong>. You may submit to both at the same time.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>HOW TO SUBMIT&nbsp;<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Complete the Telefilm application\u202fbefore <strong>February 7,<\/strong> indicate the different sections for which you want to submit the film (Festival de Cannes &#8211; Official Selection; Critic&#8217;s Week).&nbsp;<\/li>\n\n\n\n<li>Insert your downloadable screening link and password in the form.&nbsp;<\/li>\n\n\n\n<li>Films in English are accepted without French subtitles at the evaluation stage.&nbsp;<\/li>\n\n\n\n<li><strong>N.B<\/strong><strong>.<\/strong>&nbsp; <strong>Your image editing must be final.<\/strong> However, your film can still be in post-production, and this is not an issue at all. The programmers are used to viewing works at the post-production stage (with no color timing, no sound mix, no final music, missing effects, etc.) and, as such, know how to \u201cfill in the technical gaps.\u201d&nbsp;<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SUBMISSION FORMATS&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Technical specifications to follow:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Only downloadable Vimeo links are accepted.&nbsp;<\/li>\n\n\n\n<li>All titles should be in MP4 format, at a bit rate of 15 000Kb\/s&nbsp;<\/li>\n\n\n\n<li>1920 x 1080 @23.976 or 24 Frames Per Second&nbsp;<\/li>\n\n\n\n<li>Colour Space should be Rec 709&nbsp;<\/li>\n\n\n\n<li>We accept audio in either 2.0 channels, or 5.1 channels&nbsp;<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SELECTION PROCESS<\/strong>&nbsp;<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The Festival de Cannes and the Critics\u2019 Week are managed by two distinct entities. Delegates will screen separately and evaluate the entries for their respective sections.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Once the screenings are over, if a film is preselected (\u201cshortlisted\u201d) by one or the two delegates, we will inform the applicant of the next steps via email. Films that have not been preselected by the festival delegate(s) will also receive a notification by email from Telefilm in April.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>ABOUT<\/strong>&nbsp;<strong><a href=\"https:\/\/www.festival-cannes.com\/fr\/\"><\/a><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.festival-cannes.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">FESTIVAL DE CANNES &#8211; OFFICIAL SELECTION<\/a><\/strong><br>The Official Selection presents 80 features among its various categories: Competition, Out of Competition, \u201cUn Certain Regard\u201d and Premi\u00e8res.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.quinzaine-cineastes.fr\/en\" target=\"_blank\" rel=\"noreferrer noopener\">DIRECTORS\u2019 FORTNIGHT<\/a><\/strong><br>This parallel section programs approximately 25 features. <a>The films are eligible for several prizes given by different partner associations.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.semainedelacritique.com\/en\">CRITICS&#8217; WEEK<\/a><\/strong><br>This parallel and competitive section is reserved for debut or second features and only showcases 10 features. The films are eligible for several prizes.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>MORE INFORMATION<\/strong>&nbsp;<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Regarding the <strong>festival <\/strong>and the preselection screenings:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Danielle B\u00e9langer<\/strong>&nbsp;<br><strong><a href=\"mailto:danielle.belanger@telefilm.ca\" target=\"_blank\" rel=\"noreferrer noopener\">danielle.belanger@telefilm.ca<\/a>&nbsp;<\/strong><br>438-469-1129 or 1-800-567-0890&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">For assistance in the <strong>submission process and delivery of your screening link<\/strong>:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Sharon Aliphon<\/strong>&nbsp;<br><strong><a href=\"mailto:sharon.aliphon@telefilm.ca\" target=\"_blank\" rel=\"noreferrer noopener\">sharon.aliphon@telefilm.ca<\/a>&nbsp;<\/strong><br>(438) 469-1117&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Promotion and Communications<\/strong>&nbsp;<br>Telefilm Canada, Montr\u00e9al&nbsp;<br><strong><a href=\"mailto:DL-festivals@telefilm.ca\" target=\"_blank\" rel=\"noreferrer noopener\">DL-festivals@telefilm.ca<\/a>&nbsp;<\/strong>&nbsp; <br>1 800 567-0890&nbsp;&nbsp;<\/p>\n<\/div>","protected":false},"template":"","categorie_appel_inscription":[11],"class_list":["post-150851","appel-inscription","type-appel-inscription","status-publish","hentry","categorie_appel_inscription-festival"],"acf":{"date_debut":"20250303","date_fin":"20250306","ville":"Cannes","pays":"France","edition":"","deadlines":[{"description":"Register via Telefilm Canada by","date":"20250207"},{"description":"Send your downloadable screening link at the latest by","date":"20250212"}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Festival de Cannes 2025 | Telefilm Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/telefilm.ca\/en\/appel-inscription\/festival-de-cannes-2025\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival de Cannes 2025 | Telefilm Canada\" \/>\n<meta property=\"og:description\" content=\"CALL FOR ENTRIES&nbsp;| Canadian Preselection Screenings (Feature-length narratives)&nbsp;&nbsp; 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