{"id":149369,"date":"2024-08-27T14:55:31","date_gmt":"2024-08-27T18:55:31","guid":{"rendered":"https:\/\/telefilm.ca\/?p=149369"},"modified":"2026-06-15T15:17:04","modified_gmt":"2026-06-15T19:17:04","slug":"universal-language-is-canadas-choice-in-the-race-for-best-international-feature-film-at-the-2025-oscars","status":"publish","type":"post","link":"https:\/\/telefilm.ca\/en\/universal-language-is-canadas-choice-in-the-race-for-best-international-feature-film-at-the-2025-oscars","title":{"rendered":"UNIVERSAL LANGUAGE is Canada\u2019s Choice in the race for Best International Feature Film at the 2025 Oscars\u00ae\u202f"},"content":{"rendered":"<div class=\"editor-content\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"864\" src=\"https:\/\/telefilm.ca\/wp-content\/uploads\/2024\/08\/Oscars-25-Un-langue-universelle-EN.png\" alt=\"A still from the film Universal Language directed by Matthew Rankin. It is winter. A tour group dressed in bright colours stand in front of a beige brick building, while a tour guide with red earmuffs explains the significance of the spot. In the bottom right-hand corner, laurels that say &quot;Canada's Choice. Best International Feature Film. Academy Awards 2025&quot;.\" class=\"wp-image-149376\" style=\"width:896px;height:auto\" srcset=\"https:\/\/telefilm.ca\/wp-content\/uploads\/2024\/08\/Oscars-25-Un-langue-universelle-EN.png 1536w, https:\/\/telefilm.ca\/wp-content\/uploads\/2024\/08\/Oscars-25-Un-langue-universelle-EN-300x169.png 300w, https:\/\/telefilm.ca\/wp-content\/uploads\/2024\/08\/Oscars-25-Un-langue-universelle-EN-1024x576.png 1024w, https:\/\/telefilm.ca\/wp-content\/uploads\/2024\/08\/Oscars-25-Un-langue-universelle-EN-768x432.png 768w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">MONTR\u00c9AL \u2013 <em>Universal Language<\/em>\u202fis representing Canada in the nomination process for\u202fBest International Feature Film at the\u202f97<sup>th<\/sup> Academy Awards<sup>\u00ae<\/sup>, to be held on\u202fMarch 2, 2025.\u202fThe film is\u202fdirected by\u202f<strong>Matthew Rankin, <\/strong>written by\u202f<strong>Matthew Rankin<\/strong>, <strong>Pirouz Nemati<\/strong> and <strong>Ila Firouzabadi <\/strong>and produced by\u202f<strong>Metafilms<\/strong>. It is being distributed in Qu\u00e9bec by <strong>Maison 4:3<\/strong>, by <strong>levelFILM <\/strong>in the rest of Canada, and by <strong>Oscilloscope Laboratories<\/strong> in the US.\u202fInternational sales are handled by <strong>Best Friend Forever (BFF)<\/strong>.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThis year&#8217;s film submissions brilliantly showcase the exceptional talent that makes Canada shine. <em>Universal Language<\/em> by director Matthew Rankin has been selected by a jury of industry peers to represent Canada in the race for the Oscar\u00ae for Best International Feature Film,\u201d says <strong>Julie Roy<\/strong>, Executive Director and CEO of Telefilm Canada. \u201cThis film is emblematic of our national cinematography: with the success it has enjoyed since its launch at Cannes, no matter what the language, it reaches audiences here and abroad. That&#8217;s the power of cinema! We wish Matthew Rankin, Sylvain Corbeil and the entire creative team the best of luck!\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe are amazed by this improbable selection and we will do our very best to represent Canada at the Oscars,\u201d said director <strong>Matthew Rankin<\/strong>. \u201c<em>Universal Language<\/em> is an expression of very great collective joy between myself and my friends Pirouz Nemati, Ila Firouzabadi, Sylvain Corbeil and all the beautiful and hilarious people who created this strange, triangle-shaped, Irano-Winnipego-Qu\u00e9b\u00e9cois brain which became our film, beh naam\u00e9 doosti (in the Name of Friendship).\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Universal Language<\/em>,\u202fwhich\u202fworld premiered at\u202fthe 2024 Cannes Film Festival, will have its North American premiere at TIFF on September 10, 2024. The film stars Rojina Esmaeili, Saba Vahedyousefi, Pirouz Nemati, Mani Soleymanlou and Matthew Rankin.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As the appointed non-voting chair of the committee, Telefilm Canada organizes the annual pan-Canadian Selection Committee for Canada\u2019s submission to the Best International Feature Film category at the Academy Awards<sup>\u00ae<\/sup>.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The vote was determined by a pan-Canadian committee of industry organizations and guilds, as well as filmmakers and industry professionals appointed to represent organizations. Twenty-six films were submitted for consideration as Canada\u2019s Choice this year. The committee met the morning of August 27<sup>th<\/sup><sup> <\/sup>to select the film.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So far,\u202fnine\u202fcountries have submitted their entries for the Best International Feature Film category. Last year,\u202f88\u202fcountries submitted a film.\u202f&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Key dates:<\/strong>&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>October 2, 2024<\/strong> \u2013 Deadline for country submissions for the Best International Feature Film category&nbsp;<\/li>\n\n\n\n<li><strong>December 17, 2024 <\/strong>\u2013 Academy shortlist of 15 titles selected to move forward.&nbsp;&nbsp;<\/li>\n\n\n\n<li><strong>January 17, 2025 <\/strong>\u2013<strong> <\/strong>Academy Award<sup>\u00ae <\/sup>nominations announced&nbsp;<\/li>\n\n\n\n<li><strong>March 2, 2025 \u2013 <\/strong>Academy Awards<sup>\u00ae<\/sup> ceremony&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About <\/strong><strong><em>Universal Language<\/em><\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Synopsis<\/strong> &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a large sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-absurd walking tour of Winnipeg monuments and historic sites. Matthew leaves his job at the Qu\u00e9bec government and embarks upon a mysterious journey to visit his estranged mother. Time, geography and identities crossfade, interweave and collide into a surreal comedy of misdirection.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Structured like a Venn diagram \u2013 at the point of confluence between Jacques Tati and Abbas Kiarostami\u2019s <em>Koker Trilogy<\/em> \u2013 <em>Universal Language<\/em> is at once a diary film, an absurdist city symphony and a welling-up of confinement-era emotion exploring the mysterious interzone where one person ends and the rest of the world begins. An elusive, half remembered dream of home, solitude, our responsibilities to others and the wild turkeys that haunt us.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photos\u202fof the film <a href=\"https:\/\/maison4tiers.com\/en\/media-access\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About Canada in the Best International Feature Film category at the Oscars<\/strong>\u00ae &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the history of the Oscars<sup>\u00ae<\/sup>, eight Canadian films have been official nominees in the Best International Feature Film (formerly known as the Best Foreign Language Film category): in 2013,\u202f<em>Rebelle<\/em>,\u202fby Kim Nguyen; in 2012,\u202f<em>Monsieur\u202fLazhar<\/em>,\u202fby Philippe Falardeau and\u202f<em>In Darkness<\/em>,\u202fby Agnieszka Holland (a minority coproduction with Poland and Germany); in 2011,\u202f<em>Incendies<\/em>,\u202fby Denis Villeneuve; and, in 2007,\u202f<em>Water<\/em>,\u202fby Deepa Mehta. The list also includes three films by Denys Arcand:\u202f<em>Le\u202fD\u00e9clin\u202fde\u202fl\u2019empire\u202fam\u00e9ricain<\/em>,\u202fin 1987,\u202f<em>J\u00e9sus de Montr\u00e9al<\/em>,\u202fin 1990 and, in 2004,\u202f<em>Les Invasions\u202fbarbares<\/em>, the only Canadian film to have won the Oscar\u00ae in this category. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About the selection process for the Best International Feature Film category<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Telefilm Canada coordinates and chairs the pan-Canadian Selection Committee, without voting right. The committee comprises some 10 members representing key government agencies and national film industry associations. Each of them may appoint a representative to the jury, in accordance with Academy rules. It is responsible for choosing the film that will represent Canada at the Oscars<sup>\u00ae<\/sup>, which accepts only one film per country for the Best International Feature Film category.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Academy rules were modified in 2023, specifying that juries must include a minimum of 50% craftspeople that are currently active in the film industry. Jury members must screen all submissions before participating in a virtual conference to evaluate and vote on which film will best represent Canada at the Oscars<sup>\u00ae<\/sup>. Jurors are encouraged to consider the quality of the films, as well as their international competitiveness.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Submitted films must have been produced outside the United States in a language of at least 51% other than English and must have been theatrically exhibited in the submitting country for at least seven consecutive days between November 1,\u202f2023,\u202fand\u202fSeptember 30, 2024.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About Telefilm Canada<\/strong> &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a Partner of Choice, Telefilm Canada is a Crown corporation dedicated to the success of Canada\u2019s audiovisual industry, fostering access and excellence by delivering programs that support cultural resonance and audience engagement. With a lens of equity, inclusivity and sustainability, Telefilm bolsters dynamic companies and a range of creative talent at home and around the world. Telefilm also makes recommendations regarding the certification of audiovisual coproduction treaties to the Minister of Canadian Heritage, and administers the programs of the Canada Media Fund. Launched in 2012, the Talent Fund raises private donations which principally support emerging talent. Visit <a href=\"http:\/\/telefilm.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">telefilm.ca<\/a> and follow us on X at\u202f<a href=\"http:\/\/twitter.com\/Telefilm_Canada\" target=\"_blank\" rel=\"noreferrer noopener\">x.com\/Telefilm_Canada <\/a>and on Facebook at <a href=\"http:\/\/facebook.com\/telefilmcanada\" target=\"_blank\" rel=\"noreferrer noopener\">facebook.com\/telefilmcanada<\/a>. &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">\u201330\u2013\u202f\u202f&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MEDIA CONTACT<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-c12710f6 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>For Telefilm Canada:<\/strong>&nbsp;<br>Joyce Richards&nbsp;<br>Advisor, Public Relations&nbsp;<br><a href=\"mailto:joyce.richards@telefilm.ca\" target=\"_blank\" rel=\"noreferrer noopener\">joyce.richards@telefilm.ca<\/a>&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>For <em>Universal Language<\/em>:<\/strong>&nbsp;<br>M\u00e9lanie Mingotaud<br>Communications Mingotow<br><a href=\"mailto:melanie@mingo2.ca\">melanie@mingo2.ca<\/a><br>514-582-5272<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Universal Language\u202fis representing Canada in the nomination process for\u202fBest International Feature Film at the\u202f97th Academy Awards\u00ae, to be held on\u202fMarch 2, 2025.\u202f<\/p>\n","protected":false},"author":3,"featured_media":149376,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-149369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-releases"],"acf":{"liens":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>UNIVERSAL LANGUAGE is Canada\u2019s Choice in the race for Best International Feature Film at the 2025 Oscars\u00ae\u202f | Telefilm Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/telefilm.ca\/en\/universal-language-is-canadas-choice-in-the-race-for-best-international-feature-film-at-the-2025-oscars\" \/>\n<meta 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